HAIKU
The Fourth Haiku Pacific Rim Conference

Haiku Competition


Haiku Wall

Haiku Workshop




I was fortunate to be offered an intense mentorship (writing, researching, critiquing and workshopping of haiku for publication) with mentor, John Bird in 2007, which I completed and I am currently the HaikuOz WA Regional Representative.www.haikuoz.org

Published Haiku:

black cockatoos -
the distant rumble
of Harleys


Published: Heron's Nest June 2007;
Haiku Dreaming Australia June 2007

school tuck-shop –
the drone of bees
by the bubblers


Published: Haiku Dreaming Australia 2007


passing traffic –
the flicker of bees
among grevillea



Published: FreeXpreSsion April 2007

 
her graduation –
the strelitzia
stands tall


Published: Stylus Poetry Journal 2007;
FreeXpreSsion November 2007


winter morning -
flame trees
line the street


Published: Famous Reporter June 2007

outback sunset—
embers glowing
under the billy


Published: Stylus Poetry Journal 2007

 
neighbourhood watch –
jacarandas
dot the suburb


Published: FreeXpreSsion October 2007
midday –
a jet’s contrail
splits the sky


Published: FreeXpreSsion May 2007

rejection letter –
the willy-wagtail
flicks its tail


Published: Famous Reporter June 2007

 
spring –
a roll of toilet paper
and a pup


Published: Stylus Poetry Journal 2007
another fall –
the dog licks
her face


Published: Stylus Poetry Journal 2007

school report–
the dog nestles
in my lap


Published: Paper Wasp Autumn 2007

 
garage sale –
a Rolls Royce
with a roof rack

Published: Stylus Poetry Journal 2007
willy-willy –
a boy speeds past
on a bike

Published: FreeXpreSsion October 2007

school tuck-shop -
dragonflies hover
by the pond


Published: FreeXpreSsion May 2007

 
 
   
 

My personal guidelines for writing Haiku at this moment in time

1. Show Don’t Tell - Let the reader delve into the poem and think.

2. Be concise - Use as little words as possible, but don’t over edit. Find the balance. Brevity.

3. Be objective - Don’t make personal comments about the subject, no politicizing or judgements. Subdue the poet.

4. Relate to season words - Use season words according to my intended readership, i.e. traditional Kigo words versus Australian season words.

5. Be in the moment - Write from an experience or a memory where I was totally present in that moment – wherever possible. Immediacy.

6. Follow natural syntax - Use the natural flow of speech and no ‘clever’ language, ie common language.

7. Relate to the senses - Again being in the moment.

8. Write first for myself and second for the intended audience.

9. Little punctuation - Use dashes to mark the kireji, only if I feel it is necessary. Be careful not to use it for publications that don’t use it.

10. Concrete imagery - Use concrete imagery. No abstractions.

11. Use either juxtaposition or single image haiku.

12. Try to get that aha! moment where the reader ‘gets it’.



A brief explanation of how I write haiku:

I usually write haiku in three lines, although traditionally Japanese haiku were often written in a single line, and modern haiku writers often write haiku in one, two or three lines.

Traditionally in Japan, haiku were written in seventeen on or onji. The word on in Japanese means sound, and onji means sound symbol.   Because of the difference in languages, the use of seventeen syllables in English forms a longer haiku than it would in Japanese language. To try to approximate Japanese language more closely, I choose to write English haiku in approximately twelve syllables, or as few syllables as possible.

Haiku in Japan usually contains a season word or words and a kigo is used to decide which words relate to which seasons. However, in Australia, because our seasons are different, I don’t usually use a kigo and try instead to use Australian season references, depending on who my intended audience is. See Australian Haiku Dreaming - http://users.mullum.com.au/jbird/dreaming/ozku.html for more on Australian season references.

Haiku usually has a distinct grammatical break, or kireji. Sometimes I use a dash to highlight the kireji, again depending on my intended audience. It also depends on whether I am writing a single image haiku or a haiku using juxtaposition.

Senryu is similar, except it emphasizes humor and human foibles instead of seasons, and may not use kigo or kireji.



Maureen has had haiku published in –



Famous Reporter
# 35, June 2007

The Heron’s Nest
(USA), June 2007

Paper Wasp,
Autumn 2007

FreeXpreSsion,
April 2007 Volume XIV Issue No 4, May 2007 Volume XIV Issue No 5, June 2008 Volume XV Issue No 6

Stylus Poetry Journal,
April 2007, July 2007

Haiku on Fridays
April, May, June, July 2008

Poetic Asides/Writers' Digest
2008


The Fourth Haiku Pacific Rim Conference

WIND OVER WATER

unabara wo wataru kaze

 

If you have ever wished to visit Australia , why not plan your trip around the fourth Haiku Pacific Rim Conference 22-25 September 2009.  We feel sure Australians will enjoy their time on the Central Coast , too.

 

Stay in waterfront accomodation in a peaceful location  a little over an hour's drive north of the busy Sydney CBD, where you can write haiku in the company of pelicans.

 

Events include a ginko and public reading at Gosford/Edogawa Commemorative Garden and Regional Gallery, a presentation of papers by leading international exponents of haiku writing and a guided introduction to Australia 's snakes, spiders, koalas, kangaroos and dingos and crocodiles at the Wildlife Reptile Park at Gosford. http://www.reptilepark.com.au/ This should inspire some interesting haiku before we move on to Pearl Beach for lunch and a chance to again read your work.

 

We hope that amongst our honoured guests, and speakers, the founders of the 1st HPR, Kanda Sosuke and Jerry Ball,  will be able to attend. It was Jerry Ball who suggested, in Matsuyama , that the 4th Haiku Pacific Rim conference be held in Australia .

 

I am delighted to announce that the convenor of the 2nd HPR in Ogaki , Japan , Yoshimura Ikuyo, has agreed to attend as has Noma Minako, convenor of the 3rd HPR in Matsuyama , Japan .  This is very exciting news indeed. 

 

More good news soon about our prestigious and informative speakers.

 

A web-page is in progress but for further information right now, and a chance to secure your place, please email beverleygeorge@idx.com.au with 4th HPR enquiry and your surname in the subject line.  A more detailed interim document is immediately available by email.

 

Beverley George

Convenor

4th Haiku Pacific Rim Conference , Australia

President

The Australian Haiku Society (HaikuOz)

www.haikuoz.org